Hunger Games Online

The Hunger Games is really a 2012 United states science fiction motion movie aimed by way of H Ross, using the story of the brand by way of Suzanne Collins. A movie was produced by Nina Jacobson as well as Jon Kilik, with a movie script by way of Ross, Collins, as well as Billy Lewis. That superstars Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Electronic Banks, as well as He Sutherland. The storyline takes place inside a dystopian post-apocalyptic upcoming inside the region with Panem, which consists of the prosperous location, the Capitol, between A dozen a lesser amount of wealthy areas. When abuse for the beyond rebellion contrary to the federal government, the particular Capitol began the Hunger Games-a public 12-monthly occurrence through which a person young man and another girl out of each of the A dozen areas are usually determined inside a lottery seeing that "tributes" and are needed to fight to the particular passing in a world right up until there is a person remaining victor. When the character Katniss Everdeen (Lawrence) hears her more radiant sister's brand called as the female homage for his or her centre, the lady volunteers for taking her placed in get to conserve her out of being required to get involved. Accompanied by her district's men homage Peeta Mellark (Hutcherson), Katniss goes towards Capitol to coach pertaining to the Hunger Games below the direction with original victor Haymitch Abernathy (Harrelson). A movie premiered for April Twenty-one, 2012, around Portugal and various international locations as well as globally for April 3, 2012, within typical concert halls as well as digital camera IMAX concert halls. At the time of put out, the particular movie collection the particular track record for that lastly most effective opening up few days pack business office profits of a typical flick ($152.5 various zillion) around The united states guiding Harry Potter as well as Deathly Hallows ( blank ) Piece A couple of ($169 zillion) as well as Dark Knight ($158 zillion) the greatest pack business office introduction for the non-sequel. It will be the first movie because The movie avatar to on the first page for the pack business office pertaining to a number of straight vacations. The Hunger Games was recommended by way of the majority of pundits, who highly regarded it's actually styles as well as emails, in addition to Lawrence's performance seeing that Katniss. Much like the story, the particular movie provides captivated judgments because of its commonalities along with other is effective, just like the Nippon story Struggle Royale and it is movie edition, together with the United states limited tale "The Lottery". It is known, even so, in which Collins' story as well as movie script have got essential variations by way of applying options for motivation just like the fantasy with Theseus, Roman gladiatorial games, certainty television set, as well as Irak Warfare. The Hunger Games Online For Free have been the subject of differing interpretations, like allusions to help feminist, political, as well as orlando allegory. The country with Panem, produced coming from a post-apocalyptic The united states, is made prosperous Capitol as well as 12 lesser around areas. For a abuse for the previous rebellion contrary to the Capitol because of the areas, a person young man and another girl between the ages of A dozen as well as 19 out of each centre are usually determined by way of once a year lottery (known as the "Reaping") to sign up around the Hunger Games. A people (or "tributes") with the Hunger Games have to attack in a world controlled because of the Capitol right up until just one single continues to be full of life; the particular victor is honored having acclaim as well as huge selection. Katniss Everdeen, the 16-year-old girl out of District A dozen, volunteers for that 74th 12-monthly Hunger Games, to accept place of her more radiant sibling Primrose, who was simply determined because of the lottery. Peeta Mellark, the baker's boy who as soon as gifted Katniss a loaf of bread whenever her family was depriving yourself of food, is likewise determined. Katniss as well as Peeta are usually taken up to the particular Capitol, the place their drunk teacher, original Games victor Haymitch Abernathy, educates those to look at as well as learn the capabilities of the various other tributes, particularly the "Careers", who've been educated out of delivery to help vie inside the Games. Throughout a pre-Games job interview having TV individuality Caesar Flickerman, Peeta all of a sudden explains his passion pertaining to Katniss. Nancy in the beginning very angry, trusting that it is a scheme to get market service, seeing that "sponsors" may well present in-Games products with meal, drugs, as well as instruments. A Games commence with half the particular tributes mortally wounded within the first time, whilst Katniss relies on her well-practiced shopping as well as backyard ability to outlive. Peeta forms the anxious coalition while using the Careers, like Cato, Clove, Miracle, as well as Shine, sufficient reason for his or her monitoring enable these people part Katniss inside the timber. Katniss builds up the alliance having District 10 homage Feel dissapointed about if the girl points out the unit jacker nest, which will Katniss falls within the Careers, eliminating Shine. Feel dissapointed about has feelings for you pertaining to Katniss seeing that the lady gets back out of unit jacker toxic body, however the alliance finishes whenever Feel dissapointed about is fatally hurt by way of Miracle, exactly who Katniss eliminates in their defense. Katniss continues having Feel dissapointed about seeing that the lady is disapated, and then advances bouquets through her system for a symbol of admire. Once this is public, them initiates the riot around District 10. Together with Katniss as well as Peeta shown to the population seeing that "star-crossed lovers" ( blank ) as well as Gamemakers seeking to keep away from inciting further more riots ( blank ) a guide modify is declared half way over the Games, stating that 2 tributes in the same centre can easily gain the particular Games for a match. After experiencing that, Katniss searches for Peeta as well as locates the pup, hurt by way of Cato with a blade. When Katniss nursing staff Peeta back in wellbeing, the lady provides herself seeing that motivated by the pup to get market enjoy as well as support. Whenever the lady efforts to get drugs pertaining to Peeta, Clove strikes her. Thresh looks as well as eliminates Clove, sparing Katniss around storage with Feel dissapointed about. "Foxface" is disapated out of ingesting nightlock blueberries and other berries thieved out of Peeta, who was not sure these people were really dangerous. Some sort of package with harsh hound-like wildlife are let go, eliminating Thresh as well as requiring Katniss as well as Peeta to your Cornucopia, the place these people encounter Cato. Right after a challenging attack, Katniss shoots Cato with an arrow to conserve Peeta's existence. Cato falls towards wildlife, as well as Katniss shoots the pup to help free the pup a prolonged passing. Together with Peeta as well as Katniss unsurprisingly winning alongside one another, the particular Gamemakers all of a sudden turnaround for the guideline modify allowing 2 victors, setting up these folks as much as duel each other towards passing. Rather, Katniss has a cache with nightlock blueberries and other berries as well as arms half to help Peeta. Understanding that their destruction would likely divest the population of a typical victor, the particular Gamemakers quickly declare both of them seeing that victors of the 74th Hunger Games. But they are usually taken care of to the hero's delightful inside the Capitol, Katniss is warned by way of Haymitch that they has now be a political opponent immediately after such a general public defiance with her society's authoritarian management. When Katniss as well as Peeta go back to District A dozen, Web design manager Ideal ponders purchasing the particular shared victors as well as thoughts with rebellion that they may possess influenced.

Jennifer Westfeldt Steps Behind The Camera for 'Friends With Kids'

Jennifer Westfeldt Steps Behind The Camera for 'Friends With Kids' By Jenelle Riley February 29, 2012 Photo by Hayley Sparks Jennifer Westfeldt With her three films, Jennifer Westfeldt has explored the pivotal phases of life. In "Kissing Jessica Stein," which she wrote and starred in with Heather Juergensen, Westfeldt played a single New Yorker who attempts a lesbian relationship after a series of disastrous dates with men. Her script for "Ira & Abby" cast her as a twice-divorced woman who marries a virtual stranger. And in her directorial debut, "Friends With Kids," Westfeldt and Adam Scott play best friends who decide to have a baby together while continuing their pursuit of love with other people. "I didn't even realize it until I finished the last one what I had done," Westfeldt says with a laugh. "I made three films in 10 years that form a weird trilogy of subversive rom coms about the stages of life I was experiencing: dating, marriage and divorce, and having kids. I was observing what was happening around me with all the friends in my life and trying to find an artistic response to those life stages." "Friends With Kids" premiered at the 2011 Toronto International Film Festival, where it proved a hot ticket thanks to its ensemble cast, which includes Kristen Wiig, Megan Fox, andnot leastWestfeldt's longtime love, Jon Hamm. Though the film quickly sold to Roadside Attractions and will hit theaters March 9, Westfeldt says the September premiere at the 1,200-plus-seat Ryerson Theatre was a nerve-wracking experience. "We'd never screened the film for more than 30 or 40 people at a time, and I had absolutely no idea how it would go over," she says. "I spent most of the time huddled with Jon in the back, my head buried into his shoulder. It's a very vulnerable thing." "Friends With Kids" (Roadside Attractions) The response to "Friends With Kids" has been positive, with Scott earning raves for his leading-man performance and Westfeldt being praised as a filmmaker to be reckoned with. While the film starts out as a fairly conventional romantic comedy, it takes a dramatic turn midway through and poses some big questions about the nature of love and commitment. But to focus on such depth in what is generally considered a breezy genre is to overlook just how funny the movie is. Westfeldt seems to specialize in approaching a familiar story in new ways. "If my three films have a common thread, it's that they're all asking the same question, which is 'I know it usually goes this way, but why can't we go this way?' " she notes. "With 'Jessica Stein,' it's about if you find a girl who's really great, why can't it work out? With 'Ira & Abby,' it's the idea that if half of marriages end in divorce, don't you have as good of a shot with a perfect stranger as you do with someone you've been with for years? This film is about why can't we turn the system on its ear and co-parent as dear friends and find romance elsewhere? Why can't we turn the norm on its head?"Becoming 'Jessica' By now, the Cinderella story of Westfeldt's first movie is indie film legend. After matriculating at Yale University, she attended a five-day retreat for artists in 1997 where everyone was encouraged to do something in another creative field. "So directors had to act, and actors had to write," Westfeldt says. "I'd never written before then, except for papers in college. But I wrote one little scene that was about this terrible date." At the retreat was Juergensen, who had also written a piece about men and women failing to connect. "We sort of clocked each other and said we should put up a night of bad-date sketches sometime," Westfeldt says. Later that year, Westfeldt journeyed to Los Angeles for the first time and landed both an agent and a pilot within a week. "It was a strange, lucky confluence of events," she says. The pilot, "Two Guys, a Girl and a Pizza Place," went to series, but it was pushed to a midseason show, giving Westfeldt seven weeks off with nothing to do. She promptly called Juergensen, and the two agreed to put up their night of sketches at a small theater in NY City. One of the pieces was about two girls at a spa discussing their bad luck with men and how they should become lesbians. "Once we wrote that sketch, we felt like a narrative thread was forming, and it led to a jumping-off point for a second act where this experiment was pursued by these women," Westfeldt notes. "It became this little play we had written at the end of seven weeks called 'Lipschtick,' and we performed it three nights in the basement of a church, a little theater called The ArcLight Theatre." Their final performance was on a Saturday night. On Sunday the set was struck, and Westfeldt returned to L.A. to start her show. "On Monday my agent called and said, 'Ten studios have called to option this into a film,' " Westfeldt recalls. Though their pitch for the film that would become "Kissing Jessica Stein" sold quickly, years of development hell and turnaround ensued before the pair bought back the rights and got the film made and released in 2001. The critical and financial success of the movie changed Westfeldt's career. "To this day, it's the role people identify me with, more than anything else I've done," she says. She credits the film with leading to her Broadway debut in 2003's "Wonderful Town," for which she received a Tony nomination. "It's kind of hilarious because theater was how I had envisioned my career, and I had to do television and film to have that happen. I guess that's the nature of this business; you never know what the thing will be that helps you get the other thing." Birthing 'Kids' Westfeldt says that after "Jessica Stein," she was sent a lot of scripts with "lesbian themes and uber-neurotic characters," and she took precautions to avoid being typecast. "As actors, we're always looking at what's out there and how you can feed your creative self," she says. "And honestly, there aren't that many interesting roles for women in TV and film unless you're on the list of five girls who get to choose what you want to do." Between her films, Westfeldt worked regularly in television, perhaps most memorably in story lines on "Grey's Anatomy" and "24," and she tries to get back onstage every two years. "I'm so grateful for television, because you can't really survive doing independent films and Off-Broadway theater," she says with a laugh. "It's been nice that I've been able to bounce back and forth between these various mediums."Westfeldt knows she's not alone in being pigeonholed and cites the casting of Scott in "Friends With Kids" as an example. "Adam's been a dear friend for 14 years, and we've seen him do everything, from drama onstage to being unbelievably dramatic in 'The Vicious Kind,' " she says of the stark drama for which Scott earned an Independent Spirit Award nomination. "And when we were putting the movie together, people were watching him on 'Parks and Recreation' and saying, 'We get that he's totally charming and comedic, but does he have the dramatic chops?' I was like, 'Really? Please, don't speak to me again until you've watched "The Vicious Kind." I'm not even going to have this conversation.' It was this funny thing that he was suddenly identified as this comedic actor, and they forgot he has these dramatic chops we've seen on his HBO series ['Tell Me You Love Me'] and onstage. He can do anything. His range is tremendous, and that's what we needed for this role."Though the role wasn't written with Scott in mind, Westfeldt says he performed it at her first reading. "After that moment, it was really hard to imagine anyone else doing it," she says. The first reading occurred in February 2010, and Westfeldt says she had planned it before finishing the screenplay. "I'd given myself a deadline as a writer and invited over these great actors before the script was done," she says. "I had to pull a couple all-nighters. The script was literally printing as people were arriving. Jon was pouring wine for everyone, and I was furiously highlighting pages." Westfeldt wasn't originally going to direct the film; she had never considered the possibility. "Like the writing, it sort of happened to me," she says. "Jake Kasdan was going to direct, which I was thrilled about. But with every independent film, it's so hard to get it made, and all the elements have to come together in the same four-week chunk. You're dealing with actors' availability and the money coming together and et cetera, et cetera, et cetera. It became clear we had this one window with this cast and if we didn't take it, we weren't going to be able to make the film. The way to keep on track and on schedule was for me to step into the director's role." Kasdan stayed on as a producer, and Westfeldt cites his involvement, along with the cast and crew, for aiding her with the steep learning curve. "I was nervous about it, and the only reason it worked as well as it did was because I had an amazing group around me," she says. "So I'm incredibly grateful for the challenge, even if I wouldn't have necessarily chosen it."Perhaps the most difficult scene to shoot occurs at the aforementioned midway point in the film when the tone shifts more to drama. Four couples are vacationing in Vermont when a tense discussion erupts at the dinner table. "That scene was a real risk," Westfeldt says. "It's incredibly odd and not screenplay structure to have this 10-minute real-time scene in the middle of a romantic comedy. It's a strange and scary choice that I wasn't sure would go over. And we had to shoot it in one day, and our days were short. Everyone really had to be on their game, which everyone was. What an amazing cast; what a gift." Although Westfeldt wouldn't have initially chosen writing or directing, she is proud to list herself among the women filmmakers working today. "It's really been a year of sisters doing it for themselves," she says. "At Sundance there were, like, five movies where women were writing roles for themselves. And the success of women like Lena Dunham and Miranda July and Tina Fey and now Kristen [Wiig], among others; it's a pretty cool time to see how much has evolved in that regard." She hopes that this will breed more interesting roles that speak to women directly. "I'm happy to be part of that wave, and I'm inspired by how much of that is going on. It feels like there's a wave happening of women taking a little more control of their own creative fates."'Bridesmaids II'? In "Friends With Kids," Adam Scott and Jennifer Westfeldt play single buddies who hang out with two married couples, Leslie and Alex (Maya Rudolph and Chris O'Dowd) and Ben and Missy (Jon Hamm and Kristen Wiig.) Wait, so how did half the cast of "Bridesmaids" end up in the film? "It's a coincidence, oddly!" Westfeldt says with a laugh. "Kristen was someone we went to early, and she really responded to the script and this roleI think because it's different from what she's had a chance to do before. She was sort of informally attached before she even shot 'Bridesmaids.' And Chris O'Dowd we found in the casting process. I didn't know him, and I sat down and took this meeting and he was just the most charming person ever in the land. I had always pictured Alex as this oversize teddy bear, this wildly likable guy. And that was him." As for Hamm, Westfeldt knew he would be in her film from the start. "But Jon only shot a day and a half on 'Bridesmaids.' He didn't even know if he would be in the movie. A lot of people get cut from Judd Apatow's films because he shoots so much and there's so much ad-libbing and improv. So we didn't even know that Jon would be in the movie; we didn't even think about that. It actually all happened very organically."Outtakes She is in the midst of developing a series to star in, with Alan Ball as executive producer: "I can't really say much about it yet. But it's exciting to dive into another juicy world."Other TV work has included series-regular gigs on "Holding the Baby" and "Notes From the Underbelly."She says directing her friends wasn't a strange experience: "With this group, they're all so amazing, it's not like they're ever going to be far afield. You're really just helping them find the best version, the most nuances, the most choices for the editing room. It's not like directing them whole cloth; it's more about shaping and molding them and helping them find the nuances in the characters." Jennifer Westfeldt Steps Behind The Camera for 'Friends With Kids' By Jenelle Riley February 29, 2012 Jennifer Westfeldt PHOTO CREDIT Hayley Sparks With her three films, Jennifer Westfeldt has explored the pivotal phases of life. In "Kissing Jessica Stein," which she wrote and starred in with Heather Juergensen, Westfeldt played a single NYer who attempts a lesbian relationship after a series of disastrous dates with men. Her script for "Ira & Abby" cast her as a twice-divorced woman who marries a virtual stranger. And in her directorial debut, "Friends With Kids," Westfeldt and Adam Scott play best friends who decide to have a baby together while continuing their pursuit of love with other people. "I didn't even realize it until I finished the last one what I had done," Westfeldt says with a laugh. "I made three films in 10 years that form a weird trilogy of subversive rom coms about the stages of life I was experiencing: dating, marriage and divorce, and having kids. I was observing what was happening around me with all the friends in my life and trying to find an artistic response to those life stages." "Friends With Kids" premiered at the 2011 Toronto International Film Festival, where it proved a hot ticket thanks to its ensemble cast, which includes Kristen Wiig, Megan Fox, andnot leastWestfeldt's longtime love, Jon Hamm. Though the film quickly sold to Roadside Attractions and will hit theaters March 9, Westfeldt says the September premiere at the 1,200-plus-seat Ryerson Theatre was a nerve-wracking experience. "We'd never screened the film for more than 30 or 40 people at a time, and I had absolutely no idea how it would go over," she says. "I spent most of the time huddled with Jon in the back, my head buried into his shoulder. It's a very vulnerable thing." "Friends With Kids" (Roadside Attractions)The response to "Friends With Kids" has been positive, with Scott earning raves for his leading-man performance and Westfeldt being praised as a filmmaker to be reckoned with. While the film starts out as a fairly conventional romantic comedy, it takes a dramatic turn midway through and poses some big questions about the nature of love and commitment. But to focus on such depth in what is generally considered a breezy genre is to overlook just how funny the movie is. Westfeldt seems to specialize in approaching a familiar story in new ways. "If my three films have a common thread, it's that they're all asking the same question, which is 'I know it usually goes this way, but why can't we go this way?' " she notes. "With 'Jessica Stein,' it's about if you find a girl who's really great, why can't it work out? With 'Ira & Abby,' it's the idea that if half of marriages end in divorce, don't you have as good of a shot with a perfect stranger as you do with someone you've been with for years? This film is about why can't we turn the system on its ear and co-parent as dear friends and find romance elsewhere? Why can't we turn the norm on its head?"Becoming 'Jessica' By now, the Cinderella story of Westfeldt's first movie is indie film legend. After matriculating at Yale University, she attended a five-day retreat for artists in 1997 where everyone was encouraged to do something in another creative field. "So directors had to act, and actors had to write," Westfeldt says. "I'd never written before then, except for papers in college. But I wrote one little scene that was about this terrible date." At the retreat was Juergensen, who had also written a piece about men and women failing to connect. "We sort of clocked each other and said we should put up a night of bad-date sketches sometime," Westfeldt says. Later that year, Westfeldt journeyed to Los Angeles for the first time and landed both an agent and a pilot within a week. "It was a strange, lucky confluence of events," she says. The pilot, "Two Guys, a Girl and a Pizza Place," went to series, but it was pushed to a midseason show, giving Westfeldt seven weeks off with nothing to do. She promptly called Juergensen, and the two agreed to put up their night of sketches at a small theater in NY City. One of the pieces was about two girls at a spa discussing their bad luck with men and how they should become lesbians. "Once we wrote that sketch, we felt like a narrative thread was forming, and it led to a jumping-off point for a second act where this experiment was pursued by these women," Westfeldt notes. "It became this little play we had written at the end of seven weeks called 'Lipschtick,' and we performed it three nights in the basement of a church, a little theater called The ArcLight Theatre." Their final performance was on a Saturday night. On Sunday the set was struck, and Westfeldt returned to L.A. to start her show. "On Monday my agent called and said, 'Ten studios have called to option this into a film,' " Westfeldt recalls. Though their pitch for the film that would become "Kissing Jessica Stein" sold quickly, years of development hell and turnaround ensued before the pair bought back the rights and got the film made and released in 2001. The critical and financial success of the movie changed Westfeldt's career. "To this day, it's the role people identify me with, more than anything else I've done," she says. She credits the film with leading to her Broadway debut in 2003's "Wonderful Town," for which she received a Tony nomination. "It's kind of hilarious because theater was how I had envisioned my career, and I had to do television and film to have that happen. I guess that's the nature of this business; you never know what the thing will be that helps you get the other thing." Birthing 'Kids' Westfeldt says that after "Jessica Stein," she was sent a lot of scripts with "lesbian themes and uber-neurotic characters," and she took precautions to avoid being typecast. "As actors, we're always looking at what's out there and how you can feed your creative self," she says. "And honestly, there aren't that many interesting roles for women in TV and film unless you're on the list of five girls who get to choose what you want to do." Between her films, Westfeldt worked regularly in television, perhaps most memorably in story lines on "Grey's Anatomy" and "24," and she tries to get back onstage every two years. "I'm so grateful for television, because you can't really survive doing independent films and Off-Broadway theater," she says with a laugh. "It's been nice that I've been able to bounce back and forth between these various mediums."Westfeldt knows she's not alone in being pigeonholed and cites the casting of Scott in "Friends With Kids" as an example. "Adam's been a dear friend for 14 years, and we've seen him do everything, from drama onstage to being unbelievably dramatic in 'The Vicious Kind,' " she says of the stark drama for which Scott earned an Independent Spirit Award nomination. "And when we were putting the movie together, people were watching him on 'Parks and Recreation' and saying, 'We get that he's totally charming and comedic, but does he have the dramatic chops?' I was like, 'Really? Please, don't speak to me again until you've watched "The Vicious Kind." I'm not even going to have this conversation.' It was this funny thing that he was suddenly identified as this comedic actor, and they forgot he has these dramatic chops we've seen on his HBO series ['Tell Me You Love Me'] and onstage. He can do anything. His range is tremendous, and that's what we needed for this role."Though the role wasn't written with Scott in mind, Westfeldt says he performed it at her first reading. "After that moment, it was really hard to imagine anyone else doing it," she says. The first reading occurred in February 2010, and Westfeldt says she had planned it before finishing the screenplay. "I'd given myself a deadline as a writer and invited over these great actors before the script was done," she says. "I had to pull a couple all-nighters. The script was literally printing as people were arriving. Jon was pouring wine for everyone, and I was furiously highlighting pages." Westfeldt wasn't originally going to direct the film; she had never considered the possibility. "Like the writing, it sort of happened to me," she says. "Jake Kasdan was going to direct, which I was thrilled about. But with every independent film, it's so hard to get it made, and all the elements have to come together in the same four-week chunk. You're dealing with actors' availability and the money coming together and et cetera, et cetera, et cetera. It became clear we had this one window with this cast and if we didn't take it, we weren't going to be able to make the film. The way to keep on track and on schedule was for me to step into the director's role." Kasdan stayed on as a producer, and Westfeldt cites his involvement, along with the cast and crew, for aiding her with the steep learning curve. "I was nervous about it, and the only reason it worked as well as it did was because I had an amazing group around me," she says. "So I'm incredibly grateful for the challenge, even if I wouldn't have necessarily chosen it."Perhaps the most difficult scene to shoot occurs at the aforementioned midway point in the film when the tone shifts more to drama. Four couples are vacationing in Vermont when a tense discussion erupts at the dinner table. "That scene was a real risk," Westfeldt says. "It's incredibly odd and not screenplay structure to have this 10-minute real-time scene in the middle of a romantic comedy. It's a strange and scary choice that I wasn't sure would go over. And we had to shoot it in one day, and our days were short. Everyone really had to be on their game, which everyone was. What an amazing cast; what a gift." Although Westfeldt wouldn't have initially chosen writing or directing, she is proud to list herself among the women filmmakers working today. "It's really been a year of sisters doing it for themselves," she says. "At Sundance there were, like, five movies where women were writing roles for themselves. And the success of women like Lena Dunham and Miranda July and Tina Fey and now Kristen [Wiig], among others; it's a pretty cool time to see how much has evolved in that regard." She hopes that this will breed more interesting roles that speak to women directly. "I'm happy to be part of that wave, and I'm inspired by how much of that is going on. It feels like there's a wave happening of women taking a little more control of their own creative fates."'Bridesmaids II'? In "Friends With Kids," Adam Scott and Jennifer Westfeldt play single buddies who hang out with two married couples, Leslie and Alex (Maya Rudolph and Chris O'Dowd) and Ben and Missy (Jon Hamm and Kristen Wiig.) Wait, so how did half the cast of "Bridesmaids" end up in the film? "It's a coincidence, oddly!" Westfeldt says with a laugh. "Kristen was someone we went to early, and she really responded to the script and this roleI think because it's different from what she's had a chance to do before. She was sort of informally attached before she even shot 'Bridesmaids.' And Chris O'Dowd we found in the casting process. I didn't know him, and I sat down and took this meeting and he was just the most charming person ever in the land. I had always pictured Alex as this oversize teddy bear, this wildly likable guy. And that was him." As for Hamm, Westfeldt knew he would be in her film from the start. "But Jon only shot a day and a half on 'Bridesmaids.' He didn't even know if he would be in the movie. A lot of people get cut from Judd Apatow's films because he shoots so much and there's so much ad-libbing and improv. So we didn't even know that Jon would be in the movie; we didn't even think about that. It actually all happened very organically."Outtakes She is in the midst of developing a series to star in, with Alan Ball as executive producer: "I can't really say much about it yet. But it's exciting to dive into another juicy world."Other TV work has included series-regular gigs on "Holding the Baby" and "Notes From the Underbelly."She says directing her friends wasn't a strange experience: "With this group, they're all so amazing, it's not like they're ever going to be far afield. You're really just helping them find the best version, the most nuances, the most choices for the editing room. It's not like directing them whole cloth; it's more about shaping and molding them and helping them find the nuances in the characters."

Oscars 2012: As It Happened

From the red carpet to the last award..Welcome to Empire's live coverage of the Oscar red carpet and the ceremony. We'll be commenting on the Academy Awards' best (and worst) dressed as they arrive on the red carpet - and then commenting on all the winners and losers as they're announced. Sit back, grab a brew of your favourite beverage and enjoy the night with us....

Otis the Oscar Cat Predicts the Best Picture Winner

Meet Otis the Oscar Cat, Movieline's resident feline awards prognosticator. Like the majority of Academy members, he's white, male, and owns a black tie; his tastes tend toward the traditional, although he'll bite at the occasional tasty treat. To get an inside line on Sunday's Best Picture winner, we consulted Otis for his Oscar picks -- will the Academy Award go to The Artist, starring that rascally pup Uggie? Or perhaps War Horse, by a nose? Presented with all nine Best Picture nominees -- The Artist, The Descendants, Extremely Loud and Incredibly Close, The Help, Hugo, Midnight in Paris, Moneyball, Tree of Life, and War Horse -- Otis weighed each film's merits. Treats were involved, but don't we all get a bit peckish when sorting out life's big questions? As he considered the nominees with care and deliberation, Otis went back and forth between his favorites before landing firmly, and with no outside influence, on his ultimate selection. Otis is sure that his peers in the Academy went through a similar process with their vote. Otis the Oscar Cat considers the field of nominees. Hes drawn to War Horse, but "The Descendants, man. I do so adore Alexander Payne." "All the other cats loved The Help; it ruined chocolate pie for me forever." "Hugo took me back to the whimsy of my youth, although those 3-D glasses are so very cumbersome." "This is hard, isn't it, shadow?" "Ooooh, Brad Pitt!" In the end, there is no contest. Otis picks The Artist with two paws up! "Berenice, mon amour!" Bonus pick: A Cat in Paris for Best Animated Feature! And with a beatific stare into the distance and a lock on this year's kitty Oscar pool, Otis the Oscar Cat bids adieu until next year.

David Boreanaz to Guest-Star on Downton Abbey?

Daniel von Bargen Seinfeld actor Daniel von Bargen, who's most broadly noted for taking pleasure in George Costanza's boss Mr. Kruger inside the sitcom, is at critical condition carrying out a not successful suicide attempt this year's week, TMZ reviews. The 61-year-old reaches his Cincinnati apartment Monday morning because he shot themselves inside the mind after which it known for help. According to audio in the 911 tape released round the gossip site, he told the operator, "I've shot myself inside the mind which i want assistance.Inch See the relaxation of current day news The gunshot for the temple wasn't any kind of accident. Von Bargen, who's a diabetic, recently learned some not so great. "I used to be designed to go to a health care facility which i didn't desire to. Therefore I shot myself... They were made to amputate no less than a few toes." Von Bargen was gone to live in some nearby hospital. The veteran actor also recurred as Commandant Edwin Spangler on Malcolm within the center. Round the silver screen, he's came out in O Brother, Where Art Thou?, The Faculty and Super Military.

REVIEW: Ghost Rider: Spirit of Vengeance Just Another Flaming Pile of Cage-y Nonsense

When you're not going to win on points, you may as well try to shoot the moon - that seems to be the thought process behind Ghost Rider: Spirit of Vengeance, the sequel to Marvel's 2007Ghost Rider. Realizing that their stunt rider who turns into a flaming skeleton-monster character and their star who turns in what are less performances than performance art were unlikely to result in a film that could be thought of as good in any traditional sense, the studios have aimed instead to make something that embraces its own lunacy. To oversee this endeavor, they brought in Mark Neveldine and Brian Taylor, the directing duo behind the Red Bulled-out, always in motion Crank films, who ignore a good portion of what happened in the first Ghost Rider, plant their tongues firmly in cheek and loose Nicolas Cage to do his strangest. It's not as wild or as fun as it may sound (or that it needs to be to hit the midnight-movie sweet spot for which it aims), but it's a minor improvement on the unintentional silliness of the initial installment. Ghost Rider: Spirit of Vengeance moves the action to Eastern Europe, where sinister forces are trying to capture 13-year-old Danny (Fergus Riordan) for use in the fulfillment of a doomy prophecy. The kid and his mother Nadya (The American's Violante Placido)have been in hiding with the first of two sects of tough monks (the first is overseen by Anthony Head, the second by Christopher Lambert), until they're chased down by a group of mercenaries led by her ex, Carrigan (Johnny Whitworth) who've been hired to bring the boy to become the new vessel for Roarke (Ciarn Hinds), theliving embodiment of Satan (look, I don't make this stuff up). An alcoholic French priest (Idris Elba) recruits Johnny Blaze (Cage) to help save the pair using his Ghost Riderly powers with the promise of curing him of the curse, though Blaze fears he won't be able to control the demon that possesses him enough to not also devour the people he's trying to save. Cage plays Blaze as a tweaker, a twitchy, shaky mess who pops skull eye whenever he struggles to control his inner monster. It's a performance that starts off as awkward but gradually builds to new arias of weird; threatening a flunky from whom he's trying to get information, he notes that the Rider is "scraping at the door! He's SCRAPING AT THE DOOR! If you don't TELL me what he needs to KNOW, I'm going to let him oooooooooout!" Cage jerks and flinches and laughs maniacally - in one of the more memorable shots, a camera affixed to the front of his motorcycle holds on him as he accelerates, cackling, through town, gaping black eye sockets warping his face and then getting tamped down. Neveldine/Taylorhave apparently gotten Cage to also play the transformed Rider this time around, an addition that comes through in the demon's odd head tilts and dancey fits. Cage is given a run for his money byElba (who uses his character's accent as one might use a swirling cape) and Hinds, who have a ham-off in their respective roles, though Cage emerges triumphant just from the sheer effort he puts into the role. Ghost Rider: Spirit of Vengeancescores some deliberate laughs - the Rider spins inexplicably in mid-air after getting shot by a bunker buster,a character who can make things decay with his touch finds the only thing that doesn't crumble in his hands before he eats it is a Twinkie, and at long last the question of what happens when the Ghost Rider needs to pee is answers (it's "like a flamethrower") - but the smugness of the film grows wearying long before the end. Just because the people on and behind the camera are willing to acknowledge what we're watching is ridiculous crap doesn't really change the fact that, well, it is. For filmmakers as talented asNeveldine/Taylor are (and they are, as theexhilaratingfreedom of their camerawork attests), it's a letdown, evidence that all the air quotes in the world won't make your end project any better if there's nothing sincerely good thrown in there as well. Follow Alison Willmore on Twitter. Follow Movieline on Twitter.

Photo Gallery: Wager on Thrones Season 2

Joffrey Baratheon All hail King Joffrey! After we go into the second season of HBO's Wager on Thrones, which premieres on April Fools' Day, we're reminded much has changed since we first became a member of Westeros. Have a look at our winter preview for galleries, scoop, premiere calendars plus much more! Need proof? Have a look at our new gallery of images for Wager on Thrones: Season 2. Joffrey is crowned and fully into king mode. Arya is shorn and forlorn, out by hand with only Needle to keep her warm and safe. Jon Snow is... well, OK, he's still within the cold doing his Evening Watch factor. But you'll find new faces too. Harsh Balon Greyjoy is Theon's disapproving father, which we finally fulfill the late King Robert's other brother, Stannis -- but who's the lady in red-colored-colored alongside him? Speaking about intimidating ladies, there's Brienne, a hard-searching lady who we'd enjoy getting around, not against us. Who certainly would be the next new favorite character? Who's going to die while playing the sport of Thrones? Click using the gallery and share your predictions. Wager on Thrones premieres on Sunday, April 1 at 9/8c on Cinemax.

'Battleship' Super Bowl Ad Uncovers Humanoid Aliens

They behind "Battleship" certainly saved the very best for that Super Bowl. The approaching alien invasion flick's Super Bowl TV place revealed among the aspects of the film which has me most intrigued: the aliens. While they've got been taunted in the past trailers, this place really place the extraterrestrials within the forefront, and that i was a little surprised at the way they wound up searching. The aliens themselves seem like something from "Halo" using their armored suits and advanced weaponry. Though that type of the "Battleship" baddies was taunted within the last trailer for that film, this time around around we see them without their armor. It appears such as these extraterrestrials are humanoid in form, although with bigger-than-average, three-fingered hands and cat-like eyes. Still, they do not appear to become as alien once we might have imagined. I have to admit, I had been a little surprised the aliens wound up being put in the lead. The very first trailer for that project built them into appear like they'd be stored a mysterious, but there's nothing mysterious relating to this new TV place. Maybe we are said to be interested in why the aliens have penetrated Earth, but according to their offensive behavior I'd just assumed it is because they might. In either case, it appears safe to visualize that nobody quite imagined up this outcome once they were playing "Battleship" like a kid. Aside from individuals spinning, animal-like spiked aliens using the tails. Individuals are freaking awesome. Exactly what do you think about the "Battleship" aliens? Inform us within the comments section below or on Twitter!

'Battleship' Super Bowl Ad Reveals Humanoid Aliens

They behind "Battleship" certainly saved the most effective for your Super Bowl. The arrival alien invasion flick's Super Bowl TV place revealed one of the facets of the film that has me most intrigued: the aliens. While they have got been taunted previously trailers, this place really put the extraterrestrials inside the forefront, which i had been surprised at how they ended up searching. The aliens themselves appear like something from "Halo" utilizing their armored suits and advanced weaponry. Though that kind of the "Battleship" baddies was taunted in the last trailer for your film, this time around around around we have seen them without their armor. It seems like these extraterrestrials are humanoid in form, however with bigger-than-average, three-fingered hands and cat-like eyes. Still, they don't seem to become as alien after we may have imagined. I must admit, I used to be surprised the aliens ended up being make the lead. The initial trailer for your project built them into look like they'd be saved unknown, there is however nothing mysterious relevant for this new TV place. Maybe we're stated to want to consider why the aliens have permeated Earth, but based on their offensive behavior I'd just assumed for the reason that they may. Either in situation, it seems safe to visualise that nobody quite imagined up this outcome after they were playing "Battleship" just like a kid. Apart from people spinning, animal-like spiked aliens while using tails. People are freaking awesome. What can you consider the "Battleship" aliens? Reveal inside the comments section below or on Twitter!

Alec Baldwin Handles to get rid of 30 Pounds After Pre-Diabetic Diagnosis

Alec Baldwin Perhaps you have watch a svelte Alec Baldwin at Sunday's Screen Stars Guild Honours?Take a look at other stars in addition to their dramatic weight lossThe 30 Rock star states he's lost 30 pounds in four several days. Baldwin, who needed home his sixth straight SAG Award for TV Comedy Actor, dropped the burden by cutting sugar from his diet to avoid the beginning of diabetes once you have recognized as pre-diabetic last May, he told Entertainment Tonight.Besides his new diet, Baldwin, who's dating yoga instructor Hilaria Thomas, also started a good work out regime, but doesn't frequently exercise along with his girlfriend.Have a look at photos of Alec Baldwin"I really do Yoga and spin, however avoid as much yoga as I'd like,In . Baldwin, 53, told Access Hollywood. "If we are shooting which i can not exercise, I must consume less. And So I am very aware of that. But sugar was the particular killer personally - that was the problem. ... I put within the towel sugar. I lost 30 pounds in four several days. It's amazing."

The Grey Leads individuals within the Box Office

The Grey, Liam Neeson Liam Neeson's latest action film, The Grey, lead individuals from the trio of latest film releases, Box Office Mojo reviews. The Grey made an thought $20 million within the first weekend of release. Underworld: Awakening fell one spot to No. 2, consuming $12.5 million. Box office: Underworld: Awakening arrives on top Within the first weekend of release, One For the investment showed up third place, getting $11.7 million. Red-colored-colored Tails adopted in fourth place with $10.4 million. Guy around the Ledge, also within the opening weekend, completed the most effective 5, raising $8.3 million. In sixth place, Very Noisy & Incredibly Close came $7.millions of. The Descendants rose from No. 16 to No. 7, getting in $6.5 million. Rounding the very best ten: Contraband (No. 8, $6.5 million), Beauty as well as the Animal 3d (No. 9, $5.3 million) and Haywire (No. 10, $4 million). Mission: Impossible - Ghost Protocol just missed the most effective 10, but increased being the finest grossing installment inside the 15-year-old franchise, producing $571 million globally.

On the Set Farewell to Chuck Part 3: Cast Tears and Favorite Moments

Chuck, Ryan McPartlin and Sarah Lancaster Zachary Levi doesn't have any regrets that Chuck is ending with only a 13-episode fifth season. "I don't feel like we were cut short, as difficult as it is to shut this last chapter on this journey," he told reporters at a December set visit for Chuck's two-hour series finale (Friday, 8/7c, NBC). "I think five seasons is actually a really good amount of time. ... For something like this, which is definitely story arcs and serial, how many bad guys and missions can you go on before you feel like you're repeating the same thing? So I feel like we've gotten a really perfect amount of time together and it's been special from Day One." From Chuck to Nikita: TV's sexiest crime fighters After five years of the geek getting the girl, far-flung fantasy spy missions and a cavalcade of nerd-dom's finest guest stars, it's easy to see why Levin isn't exactly complaining. In fact, he and his fellow castmates were only too happy to reminisce. Check out the Chuck cast's memorable moments and their emotional reaction to the final season: Scott Krinsky, "Jeff Barnes" "As far as Jeffster!, I always think when we did Toto, the first song. That just stays with me. First of all, we were scared out of our minds of how this was going to be received. And, wow, we have a band now. And Toto, 'Africa'? Really? And now I can't go anywhere - if Toto comes on, and I'm in a store, I'm like, 'Oh God, does anybody know who I am?' I start feeling very self-conscious. I think that was a very pivotal episode with Jeff and Lester too about their friendship with each other. So that one, and 'Chuck vs. Tom Sawyer' for me personally. I learned so much about Jeff's history and his glory days as a teenager. That one really sticks with me." "I haven't cried yet. It's been very emotional. I think I'm trying to hold it together. It's weird to think it's going to end. It still feels like you're at work, but then every time you have that moment where you're like, 'OK, this is the last time I'm going to do this. This is the last I'm going to maybe say something like this or talk to this person.' We had our last day on the Buy More. I really choked up inside. They dimmed the lights, and we just stood around for an hour sharing stories... all these names and these memories of, like, 'Remember when we did this?' Or 'Remember when we did that? Remember when we shot the pilot?'" Vik Sahay, "Lester Patel" "I've just always really loved singing the big, classic, epic songs. The ones that are very difficult to tackle. You know, I chose the song 'Fat-Bottomed Girls' when we did Comic-Con. Tackling that kind of massivity was really stunning and beautiful, and to be able to sing that kind of thing, I don't know. The Who, and just kind of these giant - what is the word? - rock-operatic-type songs are the types I've loved doing the most. [Creedence Clearwater Revival] was great." "I moved to Los Angeles for the show, so these people have been my base, my tribe, my family, and the fact that they're such unbelievable people has been instrumental in me being all right in this new, crazy town. And I think as time goes on, I'll realize more and more how crucial that's been for me... We did a scene, me and Scotty, and broke down in it. It's a really big chapter to close, and it's very, very, very emotional. You know, I've been a guy who's been a little itchy, a little edgy to try to bite into other things, and now that this is happening, it's very, very heartbreaking... You want to be eloquent in these moments... the emotion kind of prohibits that. I want to use words other than 'family,' other than 'bittersweet,' but those are right." Chuck creators share some of their favorite episodes Ryan McPartlin, "Devon 'Captain Awesome' Woodcomb" "This season I think I made the blooper reel because I couldn't get out the word 'calla lilies.' It was like I had my tongue tied and it didn't help that I had Josh Gomez making fun of me off camera to the point that it got worse and worse, when an actor goes down that slippery slope, messing up. I had the giggles." "There are some really sweet moments, too, that I got choked-up on as an actor that you buy into the scene like our wedding was really sweet, all of us on the beach together... I hate to overuse the word 'melancholy,' but it is at this point. But to look back in retrospect and know that it is all over now, I am one of the bigger sissies on the cast. I do get choked up and I get emotional easily knowing that it's goodbye... I got all my tears out on the last day of shooting. It was just too sad." Joshua Gomez, "Morgan Grimes" "[The frosted tips] kind of became a part of me... I had to run home for some reason. So I'm driving off the lot, and I'm in my Toyota Prius and my frosted tips... This guy comes out of the lot, and I don't know what happened - it was a blown light or whatever it was. He gave me some kind of big honk, finger, whatever it was, and I was like, 'What the f---!' So I catch up to him, we go to a light, and I'm like, 'Dude... I clearly had the right of way!' I got into this whole tough-guy thing. And he'' looking at me like, 'Are you out of your mind right now?' And I look at my rearview mirror, and I see the tips, and I go, 'Oh... crap!' I kind of turn back and I go, 'I'm sorry. I'm sorry,' and I kind of just pull off in my Prius. I was like, 'Never mind. You're right, you're right.'" "We were doing the last scene in the Buy More... Out of all the sets and everything, that's the one that, to me, sort of embodies the show since the beginning. So we kind of said good night to it, and we didn't want to leave. We all just kind of stood there in a little circle talking about our favorite moments, from Pineapple to just all the mayhem that's happened there. C.S. Lee in that cowboy hat, just the guns and 'You know what it cost in Buy More dollars, Chuck?' He was awesome. So I walked out and I just felt it, like, 'That's the last time I'll walk off that set.' Then it hit me, like, 'Oh, wow. This is truly over.'" Adam Baldwin, "John Casey" "I loved working with Carrie-Anne Moss. She's a true professional, and mother of beautiful kids. She's a very stable, relaxed, confident professional to work with, and [Casey got some] sexy time, too. Gomez is hilarious to work with. He always brings the pizzazz to the scene. I'm just the quiet sniper button that gets to hopefully close it out, if the writers give me a good line, at the end. But, I just play off of him and roll with it. We were joking about putting together an Of Mice and Men production, off Hollywood Boulevard. I bet that would be great." "It's emotional. For me, I've been through series before where there have been endings that have been premature. With this one, while we would have loved to have had another nine episodes to get through the whole season, I think 91 episodes of a show that was on the bubble is a good long run. I feel satisfied with the course that we've taken. I'm grateful that we were able to get this far, so I don't feel sad. I have all these people's phone numbers and their e-mails." Yvonne Strahovski, "Sarah Walker" "I love the Thailand episode, 'Phase 3.' There are so many moments, though. I think, in particular, this season has been one of my favorite ones. We've bonded a lot more, knowing that it's the end, especially the last month. We've been hanging out a lot more, as a cast, and just allowing ourselves the time to soak it all up before it all ends." "I can't stop crying. I cried every day, this whole month. I've just been crying, every single day. I'm going to cry now. It's horrible. I cried yesterday when I did my last fight scene, ever." Zachary Levi, "Chuck Bartowski" "I love that the people who have played my parents in the show have both kind of been - you know, Linda [Hamilton] is like a mom on set, Scott [Bakula] was like a dad on set. He and I had a lot in common. He imparted a lot of wisdom to me. His journey on Quantum Leap was similar to mine here, in that it was like all day, every day, go, go, go, crazy hours... In the pilot [I remember] McG yelling for me and Josh... I brought my Xbox and 'Gears of War,' which had just come out, the original, and I had hooked it up to a flat-screen in our store, and we were just sitting there playing between takes, and constantly McG going, 'Guys! I need you! Come on!' And pause it, run back, and then go and play some more. That pilot was just a really magical time. It's crazy to think that it's been five years since we did that. And yet at the same time, it's like any memory like that: It seems like it was yesterday, and it seems like it was a lifetime ago." "Sarah Lancaster and I, we were filming the last scene that we will ever shoot in the Awesomes' apartment and we couldn't even get through rehearsal. We started saying our lines and just started crying. It was really nutty, you know? Sarah's been my sister for five years and I wouldn't, couldn't possibly have cast anyone else in that role... just so lovely and so talented and gorgeous and all of that. It's weird being attracted to your sister, first and foremost, that's strange. Secondly, we have been very brother-and-sister and supportive. Watching her live life and find the man of her dreams and get married and have a baby, on screen and off, it's incredible. So to be standing there and saying goodbye, that stuff really gets you. And I can't imagine if it's hitting us that hard, I can only assume and hope that the fans, as they're watching the finale, the two-hour special, are gonna feel the same way. It's good. It's cathartic. It's therapeutic. It's not necessarily tears of joy, but it's tears of love." Chuck's two-hour series finale airs Friday at 8/7c on NBC. Check back Thursday to read Part 4 of our farewell to Chuck: The Nerd Legacy. Also read: Farewell to Chuck Part 1: A Jeffster! swan song Farewell to Chuck Part 2: Sarah vs. the Faulty Intersect What are your fondest Chuck memories and favorite episodes?

Golden Globe Party Report: Cinemax

While almost always there is a very party-like atmosphere all over the 2012 Golden Globes, stars consuming champagne and interacting throughout commercial breaks, the particular festivities begin once the honours show finishes as well as the after-parties begin. MTV News was sufficiently fortunate to get be requested to cover a couple of of those occasions this year, the Weinstein and Cinemax parties particularly. Since you may expect, they are special invites to own. Sightseeing make an effort to talk their strategies by is almost as enjoyable as watching all the random celebrity interactions and good-natured schmoozing that occurs inside. Due to its credibility and frequent volume of award-nominated programs and artists, HBO's parties certainly are a-list in every single way -- within the venue, for the design, for the food, for the extended report on high-quality participants. As they are being expected, the casts within the Cinemax shows lost entirely pressure: Ryan Kwanten, Alexander Skarsgard, Joe Manganiello and Janina Gavankar from "True Blood stream," Golden Globe champion Peter Dinklage, Emilia Clarke and Lena Headey from "Wager on Thrones," the boys of "Boardwalk Empire," and Globe champion Laura Dern from "Enlightened." There has been plenty more stars to behold furthermore to people connected with Cinemax. A few in the fun folks we observed: "Mad Males" stars Jon Hamm and Elizabeth Moss speaking with Skarsgard Clive Owen showing themselves to Tim Robbins Nathan Fillion getting an animated conversation/storytelling session with "Walking Dead" star Norman Reedus, "Modern Family" stars Eric Stonestreet, Ty Burrell and Julie Bowen, John Stamos and Globe champion Claire Danes Globe host Ough Gervais, P. Diddy together with a really blonde Lindsay Lohan breezing in within the finish getting a little entourage along with you. From that which you could tell, new pals were made and fun occasions were had by all.

Fassbender Responds To Clooneys Racy Praise At Golden Globes

First Launched: The month of the month of january 16, 2012 12:49 AM EST Credit: Getty Images Caption Michael Fassbender / George ClooneyLOS ANGELES, Calif. -- Golden Globes host Ough Gervais wasnt the only real person doling the barbs at Sundays ceremony. When George Clooney recognized the award to find the best Actor in the Drama (for his role inside the Descendants) he not only thanked friend Kaira Pitt, but more youthful crowd needed one minute to commend fellow nominee Michael Fassbender on his manhood. I have to thank Michael Fassbender to consider inside the frontal nude properly that we had, George joked, mentioning to Michaels frequently-nude performance in Shame. Really Michael, honestly, you'll be able to play golf similar to this along with your hands behind your back, George mentioned, while developing a swing movement motion along with his hands behind back. Choose this person, take action! As George joked with Michael, the Shame star was seen smiling inside the audience, but what did Irish/German actor really think about the Descendants star joking about his manhood before all Hollywood as well as the world? I like him, guy, Michael told AccessHollywood.coms Laura Saltman carrying out a ceremony. For further Golden Globes action, including all the individuals who win, fashion and greatest moments, Follow The Link! Copyright 2012 by NBC Universal, Corporation. All rights reserved. These elements is probably not launched, broadcast, rewritten or redistributed.

First look at Nicholas Hoult in Warm Bodies

The first official image has been released for teen Zombie romance Warm Bodies, and it gives us some idea of what to expect from Nicholas Hoult's brain-munching protagonist "R".Now, on first impressions, we'd say that Hoult's undead teen looks a touch like one of the Twilight vamps, what with the razor-sharp cheekbones, pallid complexion and jeans-and-hoody ensemble. Let's hope he does more than pout and sulk, eh?Directed by 50/50's Jonathan Levine and adapted from a novel by Isaac Marion, Warm Bodies will follow the unconventional love story between "R" and Julie (Teresa Palmer), the Zombie falling for her after eating her boyfriend's brains.Having absorbed said boyfriend's memories, "R" sets about attempting to shed his flesh-eating ways in order to win her heart. However, the course of true love doesn't run smooth, expecially with a Zombie plague spreading across the nation...Boasting a supporting cast featuring the likes of Rob Corddry and John Malkovich, Warm Bodies will arrive in UK cinemas on 24 August 2012. Move over Edward, there's a new supernatural heartthrob in town...

Why J. Hoberman, Fired Village Voice Movie Critic, Matters

Yesterday's news the Village Voice had release its longtime chief film critic J. Hoberman sent shockwaves using the cell phone industry's of movie journalism and independent film distribution. Aside from Roger Ebert, it's tough to visualize something special critic who's been at his publish longer, who's had more impact on the indie film world and also on other experts, or who's departure would depart a bigger void. His layoff marks the conclusion from the era in critique and may herald the beginning of an uncertain new trend for independent filmmakers, that are losing among their loudest champions. Hoberman started just like a freelance movie critic within the Voice in 1978, grew to become part of employees in 1983 combined with been its lead critic since 1988. Lately, site visitors in the Voice which is affiliated papers outdoors NY City had showed up at see him becoming an institution, along with such authors as chief music critic Robert Christgau and author Nat Hentoff, who was simply there for several years, and who aided supply the paper its brand identity. Throughout the final half-dozen years, all people institutional voices were release (though Hentoff returned just like a freelance writer). Hoberman was the ultimate to go to, which he mentioned within the statement he was "shocked, while not surprised" by their very own dismissal. Hoberman's absence won't only customize the Voice which is site visitors, lots of whom are really losing their last link to the newspaper from the youth. It could also customize the fortunes in the independent film entrepreneurs who depended on Hoberman to trumpet their work. five years ago, when the Voice release several less senior movie experts, some indie companies threatened to avoid buying ads inside the Voice if Hoberman were release too. Unsure yet on whether they'll make good on that threat now, but independent entrepreneurs cannot be happy about his ouster, simply because they depend around the goodwill of experts like Hoberman to attain their audience. Under Hoberman, the Voice challenged the competition, then other alt-weekly newspapers nationwide (like the 12 others possessed by Village Voice Media) for comprehensive coverage of indie film releases, festivals, and native film series. In the statement yesterday, Voice editor Tony Ortega mentioned the Voice remains "dedicated to delivering comprehensive film coverage," but which will be difficult with less authors (specifically in NY, having its overwhelming volume of indie film options each year), none that has acquired the trust of both entrepreneurs and site visitors the means by which Hoberman has. Hoberman acquired his influence not just through sheer sturdiness however with the power of his ideas, the clearness of his findings, the daunting breadth of his understanding, as well as the example he set as both a specialist critic to ensure that being an instructor at NY College and elsewhere. Numerous film experts, mainly within the alt-weekly world (but furthermore such mainstream-paper experts since the NY Times' Manohla Dargis), learned their craft either from his reviews or his classes. (Among his acolytes, Karina Longworth, is his heir apparent within the Voice. It's not knock on Longworth, who's youthful and full of promise, to convey that her writing has yet to equal his if this involves its impact upon site visitors and entrepreneurs.) Hoberman remains among my most influential teachers too, though I am unsure him personally. (Disclosure: I examined movies for your Voice from 1996 through 1999 just like a freelance writer working off-site, therefore we didn't interact.) His reviews trained me that movies are naturally political, because these produce a statement (conscious or else) about how exactly a global is or the way may be. More youthful crowd trained me to cover closer concentrate on the means by which movies built, within the performances for the pictures that fill the frame. Politically, aesthetically, it's all about just what the director chooses to include, and what they chooses to omit. (At IFC Fix, Matt Singer has one other good film-critique training he learned in Hoberman's class. And fellow critic Glenn Kenny has collected nine choice passages from 35 years of Hoberman's reviews.) I'm a smaller amount worried about Hoberman themselves. He'll land on his foot. He'll soon be blogging at his "blog of shameless self-promotion!!!" Which he is able to almost always train or write another book (he's written five, including one I used to be re-reading through through just yesterday, incorporated within my research with an approaching article: 1991's 'Bridge of sunshine: Yiddish Film Between Two Worlds'). But he'll not likely possess a platform as far-reaching since the one the Voice gave him. The Voice itself will probably be lesser for his loss, but do i think the film critique, specifically if the Voice's action inspires other shops to accelerate the eliminating of the very distinctive, well-established experts or reduce independent movie coverage. So when that happens, mainstream movies probably won't suffer (utilizing their enormous marketing budgets, they aren't too based on what experts say), but independent movies will probably be hurt. That could be unfortunate for moviegoers who search in the beaten path, due to films they might not otherwise find out about, or even the pros who help start the conversations about people films. Here's wanting that Hoberman could be described as a effective advocate for such movies, which his voice won't be lost inside the backwoods. [Photo: NYFCC] Follow Moviefone on Twitter Like Moviefone on Facebook Follow Gary Susman on Twitter: @garysusman

In memoriam

Dying stated many great musical talents this year their accomplishments could be heard on a number of compilations, most of them only lately released.Charlie LouvinAge 83, died Jan. 26Significance: Together with his brother Ira, Louvin carried out within the Louvin Siblings, last from the great close harmony country duos, who were built with a marked effect on rock 'n' roll's Everly Siblings. Things to hear: Light within the Loft Records reissued the Louvins' album of traditional ballads "Tragic Tunes of Existence" and gospel set "Satan is Real" this past year. * * * Gladys HortonAge 66, died Jan. 26Significance: Horton was the initial lead singer for that Marvelettes, to begin the truly amazing Motown Records girl groups, whose "Please Mr. Mail carrier" grew to become the label's first No. 1 pop hit in 1961. Things to hear: "Forever More: The Entire Motown Albums Vol. 2," Stylish-O Select's 2011 multi-disc set, collects the Marvelettes' later tracks, including Horton's last using the group. * * * Hazel DickensAge 75, died April 22Significance: A trailblazing female bluegrass singer, Dickens fronted a prominent duo with Alice Gerrard her music was featured in Barbara Kopple's Oscar-winning documentary "Harlan County U.S.A." Things to hear: Dickens' classic 1980 collection "Hard Striking Tunes For Hard Hit People" was reissued by Rounder Records, her lengthy-time label, last year. * * * Clarence ClemonsAge 69, died June 18Significance: The "Large Guy" of Bruce Springsteen's E Street Band, Clemons was the saxophone voice and also the star's onstage foil for the reason that great rock 'n' roll unit. Things to hear: Clemons' epic solo on "Jungleland," from 1975's "Born to operate,Inch is an ideal starting point. Hopefully a memorial collection concentrating on his E Street sax work is incorporated in the offing. * * * Manuel GalbanAge 80, died This summer 27Significance: Among Cuba's most inventive guitarists, Galban starred with '60s doo-wop group Los Zafiros, and then recorded and together with with Ry Cooder's Buena Vista Social Club. Things to hear: "Mambo Sinuendo," Galban's all-instrumental 2003 assortment of duets with Cooder, won a Grammy Award. * * * Jerry Ragovoy Age 76, died This summer 13Significance: Like a Significance: songwriter, producer and (with Loma Records) label professional, Ragovoy was an essential estimate '60s R&B who helmed classic tracks by Garnet Mimms, Lorraine Ellison, Howard Tate and many more. Things to hear: The 2008 Ace Records compilation "The Jerry Ragovoy Story: Time is On My Small Side" pulls together most of the hits. * * * Amy Winehouse Age 27, died This summer 23Significance: Perhaps the finest neo-soul singer-songwriter of her generation, Winehouse collected five Grammys -- including best new artist and record and song of the season -- on her album "To Black" in 2008. Things to hear: "Lioness: Hidden Treasures," some unreleased material by Winehouse, grew to become a high five hit at the end of 2011. * * * Frank FosterAge 82, died This summer 26Significance: Multi-instrumentalist Promote would be a linchpin of Count Basie's '50s large bands as author and arranger he continued to pen charts for the kind of Frank Sinatra and Sarah Vaughan. Things to hear: Basie's 1955 album "April in Paris," featuring Promote and the composition "Shiny Tights," received an broadened 2009 reissue in Europe. * * * Marshall GrantAge 83, died August. 7Significance: With guitarist Luther Perkins, bassist Grant backed Johnny Cash like a charter person in the Tennessee Two. He performed with Cash and labored as his road manager until 1980. Things to hear: Some stellar performances with Cash -- together with a 1970 appearance in the Whitened House -- could be heard on Columbia/Legacy's two-Compact disc 2011 set "Bootleg Vol. III: Live All over the world.Inch * * * Jerry LeiberAge 78, died August. 22Significance: Among rock 'n' roll's most significant songwriters and producers, Rock 'n roll Hall of Fame inductee Leiber crafted hits for Elvis, the Coasters, the Drifters yet others with partner Mike Stoller. Things to hear: Ace Records in England has interviewed Leiber & Stoller's achievements in a number of three smartly curated single-disc compilations. * * * Sylvia RobinsonAge 75, died Sept. 29Significance: After success like a singer with "Love is Strange" and "Pillow Talk," Robinson went Sugar Hill Records, the very first important rap label. Things to hear: Rhino Records' 1997 boxed set "The Sugar Hill Records Story." * * * Paul MotianAge 80, died November. 22Significance: A vital player with pianists Bill Evans and Keith Jarrett before fronting their own groups, Motian freed in the drums using their time-keeping, rhythm-section moorings being the same compositional pressure and lead player. Things to hear: The classic trio recording with Evans on Riverside, for example "Moonbeams" and "Sunday in the Village Vanguard," or even the Impulse releases with Jarrett. * * * Hubert Sumlin Age 80, died 12 ,. 4Significance: Guitarist Sumlin backed blues singer Howlin' Wolf on his classic tracks for Chess Records. Things to hear: Stylish-O Select's 2011 release "Smokestack Lightning: The Entire Chess Masters 1951-1960."Go back to MUSIC FOR SCREENS: WINTER 2012 Contact the range newsroom at news@variety.com